Today is
International Women’s Day and we celebrate women that have inspired
us, so I thought I would celebrate one of my
favourite female artist Milicent Patrick. Regrettably not many of us
recognise the name but we certainly know her work and that's it
really, very little information about her and her life exists! We
think her real name was Mildred Elizabeth Fulvia di Rossi and that
she was the daughter of Italian baroness Baronesa di Polombara and
architect Camille Charles Rossi and that she worked both in front and
behind the camera but received very little onscreen credit for her
work and that's about it, nobody really knows what became of her
after the 1980s and even the Screen Actors Guild simply lists her as
‘missing’. But if we accept what we (sort of) know it makes her
an amazing woman worthy of celebration as she would have not only
been the first female animator hired by Disney but also the designer
of the Xenomorph in It Came from Outer Space and the Metaluna
mutant from This Island Earth. We know she worked as a mask
maker on Abbott and Costello Meet Dr. Jekyll and Mr. Hyde and The Mole People and we know that she created one the most
famous, iconic creature designs for Universal, the Gill Man from The
Creature from the Black Lagoon because during Universal’s
marketing campaign for Creature from the Black Lagoon they billed
her, “The Beauty Who Created the Beast” along with photos of her
sketching the Gill Man and posing with the mask. Unfortunately this
was to be her undoing however when make-up artist Bud Westmore took
umbrage with her not crediting the entire team involved in its
creation (she had in fact credited the staff on numerous occasions
ironically a trait Westmore himself did not share) and he vowed never
to never hire her as an artist again thus killing off a promising
artistic career. This sad factor
aside she was clearly a tremendously accomplished artist and responsible for one of
the most iconic screen monsters ever created and I salute you
Milicent Patrick, wherever you are!
©
Arfon Jones 2018. All
images are copyrighted throughout the world. I do not own nor do I
claim ownership of the photographs featured in this article.
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